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He also painted several murals, including a memorable anti-drug message, “Crack Is Wack”, in Harlem and an all-embracing piece for the Gay Men’s Health Crisis bathroom, a testament to his AIDS activism.ĭespite his untimely death, Haring left a prolific and refined body of work that continues to captivate audiences today. Jones is notably known for its creative fusion of dance and art. His collaboration with choreographer Bill T. An Expansive Portfolio and LegacyĪs his career evolved, Haring expanded his work to include not just graffiti, but also canvas painting, sculpture, and performance. His symbolic creations, including flying saucers, human bodies with barking dog heads, and most notably, his “radiant baby,” became instantly recognizable and played a significant role in defining his work. Haring adopted the subway as his canvas, spontaneously creating images on black paper that covered vacant advertising frames. The vibrant culture and art world downtown, with its thriving club scene, created a synergy that was influential in shaping Haring’s work. It was during this period that Haring was heavily influenced by the graffiti movement which originated in the Bronx and Brooklyn.

Upon his arrival, Haring found a city experiencing a cultural renaissance amid chaos and decay.

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He briefly attended the Ivy School of Professional Art in Pittsburgh before moving to New York in 1978 to study at the School of Visual Arts on a scholarship. He sold self-designed Grateful Dead and anti-Nixon T-shirts while hitchhiking across the country. Haring’s early forays into the art world were unconventional. His artistic journey began under the tutelage of his father, who introduced him to cartooning. From Small Town Beginnings to NYC Stardomīorn in Reading, Pennsylvania, and raised in the predominantly white town of Kutztown, Haring displayed an early aptitude for drawing. The exhibition “Keith Haring: Art Is for Everybody” will travel from Los Angeles to the Art Gallery of Ontario in Toronto and later, the Walker Art Center in Minneapolis. This saw Haring revive a more energetic and democratized form of Pop Art. Much like other artists of his time, Haring also realized that 20th-century modernism had reached its peak after Conceptual Art and Minimalism, which necessitated a return to representation.

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TV brought world-shattering events directly into suburban living rooms, transforming images into a universally shared language. Haring’s generation was heavily influenced by midcentury mass media, which included not just television, but also the burgeoning rock-and-roll music scene and comic books. His meteoric rise coincided with the influx of artistic aspirants into New York City, when the city was grappling with municipal bankruptcy in the 1970s. His work, an amalgamation of hieroglyphics and coloring-book outlines, was characterized by an impressive transition from street art to gallery pieces to auction-worthy masterpieces, selling for millions.ĭespite his untimely death due to AIDS in 1990 at the age of 31, Haring’s legend lives on, with a resonance on par with the likes of Andy Warhol and Jean-Michel Basquiat. Keith Haring, an artist who stormed onto the scene in his early 20s, is the subject of an illustrious traveling retrospective that is set to commence at The Broad Museum in Los Angeles on May 27.

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